Polski opis
Gatunek : |
Classical |
Rok Wydania : |
2004 |
Jakość : |
MPC Q6 |
Ripper : | Mlody[PL] |
Opis: Urodził się 1 marca (za mniej pewną datę uważa się obecnie 22 lutego) 1810 w Żelazowej Woli niedaleko Warszawy,
zmarł 17 października w 1849 w Paryżu.
Najwybitniejszy polski kompozytor, a także wybitny pianista. Czołowy przedstawiciel muzyki okresu romantyzmu na świecie.
Nazywany jest poetą fortepianu. Choć należy do najbardziej lubianych kompozytorów muzyki fortepianowej, jego dzieła wymagają
od wykonawcy znakomitego warsztatu, a nawet wirtuozerii.
U źródeł jego twórczości leżała wielka wrażliwość oraz umiejętność czerpania wzorców wprost z polskiej muzyki ludowej.
pl.wikipedia.org
English description
Genre : |
Classical |
Year : |
2004 |
Quality : |
MPC Q6 |
Ripper : | Mlody[PL] |
Description: Frédéric François Chopin, (March 1, 1810 – October 17, 1849) is one of the most famous, influential and admired composers for the piano, and Poland's most significant composer. He was born Fryderyk Franciszek Chopin, of French and Polish parentage in the village of Żelazowa Wola, Poland. In Warsaw he was hailed as a child prodigy for his keyboard and composition skill. He left for Paris at the age of 20, having already composed his two piano concertos, and never returned to Poland. In Paris, he made a career as a performer and teacher as well as a composer, and adopted the French variant of his name, "Frédéric-François". In 1836 he met the French writer George Sand, with whom he had a relationship for nine years until 1847. After suffering from poor health for much of his life, his condition forced him to give up performing and teaching shortly before he died.
Chopin's compositions, which are almost exclusively for the piano, include the Funeral March piano sonata and the twenty-four études and are widely considered to be amongst the pinnacles of the piano repertoire. Although some of his music is among the most technically demanding for the instrument, Chopin's style emphasizes poetry, nuance, and expressive depth rather than mere technical display. He is often cited as one of the mainstays of Romanticism in nineteenth-century classical music.
en.wikipedia.org